Copyright 2020 JuicedLink | All Rights Reserved |, In this post, we’ll review the RodeLink Wireless Filmmaker Kit. Surely a more expensive system would be made of sturdier stuff, but overall the transmitter and receiver feel solid. The receiver connects to your camera using the supplied 3.5mm cable while the transmitter has a clip that allows it to be carried on a belt or pocket. It’s easy to set the transmission channel if you need to. Unfortunately, the RodeLink receiver is only able to pair up with one transmitter (and vice versa), meaning you would need to buy a separate RodeLink kit for each source. It makes for a natural sound. Unfortunately, that 3.5 mm jack doesn’t lock. The receiver has a cold shoe attachment that allows it to be slotted into a camera’s hot shoe. The transmitter and receiver can communicate across 8 user-selectable channels, each with a thousand frequencies. If you’re buying a stairway to audio heaven but aren’t ready to shell out a thousand dollars for a professional wireless system, the RodeLink is an excellent solution. The Rode RodeLink Filmmaker kit allows you to record high-quality audio to your camera without a wired mic, giving you greater freedom and reducing the risk of an expensive tangle and trip. While a little bit bulkier, the significantly longer battery life and inclusion of the Rode Lav allows the RodeLink holds up to its own company’s competitor: the Rode Wireless Go. This is kind of a bummer, but it is a pretty standard limitation for, Besides a slightly more complicated name, the Sennheiser XSW-D comes from a company responsible for extremely well-renowned audio gear including. There’s a 3.5 mm, ¾”, and XLR version, but you have to choose one or the other. The RodeLink fills a unique niche that balances quality with affordability for filmmakers at the prosumer/enthusiast level. To be honest, I’ve never used more than two. I shouldn’t forget to mention that I have had a little trouble with the build quality of the battery compartment. A second cold shoe mount is supplied should you need one for the transmitter, but it’s often more convenient to use the clip to attach it to the talent’s belt or pocket. If you’re recording an ASMR convention (I don’t know what kinda gigs you get) and the transmitter signal needs a boost, there’s a readily accessible switch behind the battery cover that’ll give you +10 dB or +20 dB gain. Tip me for this article while you’re at it, will ya? . Here are my hot takes on an overview of its features. This could be a good or bad thing depending on if you need that control. This is kind of a bummer, but it is a pretty standard limitation for wireless systems in this price range. The only thing that’s a little disappointing about the Rode Filmmaker Kit is that it’s not possible to add additional transmitters to enable more than one mic to record to a single camera. Since the transmitter is the microphone, it’s a little bit harder to hide than a wired lav, but if you have a 3.5 mm wired lav hanging around you can also use that in the 3.5 mm jack. It even changes frequencies in the middle of a live recording so as long as the transmitter and receivers are paired and powered, you’ll never have to worry about getting the strongest signal. You know a company is doing well when their product’s direct competition is another of its own products. A great wireless microphone set-up for the serious filmmaker. All you need to do is connect the receiver to the port using the supplied curly cable. If that’s not the closest Muggles get to magic, I don’t know what is. After setting the channel number you want to use on the transmitter, slide open the receiver and press its red button. The clip-on transmitter has a built-in microphone rather than a wired one. Jabber Digital Media Ltd. - 4 Beau Street, Bath, BA1 1QY. Rode RodeLink Filmmaker kit enables great-quality audio recording. That means you can have up to 8 kits working in the same location and they won’t interfere with each other. Another advantage of the Filmmaker kit over some other manufacturer’s wireless mic systems is that the antennae are built-in. Like the Rode Wireless GO, the RodeLink Filmmaker Kit is a wireless microphone system designed for recording audio via a camera. It’s good to see that the transmitter’s 3.5mm mic port has a thread so the mic can be locked and not accidentally disconnected. However, it still adapts to dense 2.4 GHz environments just as well as the RodeLink and is also capable of running 8 systems in one location. If I had any idea that all these years later I would still be using the RodeLink as my primary audio solution, I would have snatched up that second kit in a heartbeat. Helpfully, the battery power of both units is displayed on the receiver’s screen. The plastic build hasn’t been a huge issue for me. If you’ve ever, It’s all in the name: wirelessly linked, made with filmmakers in mind, designed by the wizards at R. de, and kitted out with everything you need to capture high-caliber audio. This causes the channel number flash on the display screen. The Sennheiser ME-II lav mic, which is an excellent wired lavalier on its own, is also included with the transmitter and receiver. The cable is either tripped over or snagged on. The +/-10 dB and +/-20 db gain adjustments found on the RodeLink are lacking on the XSW-D which automatically adjusts gain internally. Let’s take a look. As I mentioned earlier, the lavalier (or any other mic) connects to the transmitter’s mic port. RodeLink Wireless Filmmaker Kit | Quick Setup, Review, and Audio … The Wireless Go is ten times smaller than the RodeLink and is a hugely significant achievement in terms of keeping audio gear light and portable. The battery life has been clocked at a whopping 30 hours, which will cover every shooting scenario I can imagine. The Rode RodeLink Filmmaker kit allows you to record high-quality audio to your camera without a wired mic, giving you greater freedom and reducing the risk of an expensive tangle and trip. Long story short, 2.4 GHz is a range of frequencies where all of our consumer electronics transmit their wireless signals. Luckily, I wasn’t in the middle of a shoot when it happened and was able to use a piece of tin foil to reestablish contact with the battery until my friend was able to help me solder the spring back on. However, the Filmmaker monitors the signal, looking for the strongest frequency available and it switches automatically to maintain the best signal. The range of the Wireless Go is reduced to 230 ft (70 m) and the battery life taps out around 7 hours.