When overbiased, the response reveals less distortion and duller highs (as tested with a sine wave sweep and white noise). CLA EchoSphere: Waves’ free Black Friday VST plugin is a slap delay and plate reverb from Chris Lord-Alge. Furthermore, pre-emphasis and de-emphasis equalization was part of the alignment process. There was a problem. Its mastering settings work well at the end of a fully emulated tape mix but they also add warmth and flavour, if you simply want to sprinkle some MPX magic onto your otherwise digital mix as an output mastering solution. Repro gives the tape sound because you’re monitoring off the head. Please refresh the page and try again. All rights reserved. You often had to re-calibrate both EQ and bias whenever you changed tape or needed to compensate for head wear. A huge set of developments in tape-recording history can be emulated via this dial, while Noise allows you to tune the level of tape noise to your project to leave it sounding warm and pristine, or saturated and crunchy. Who is the best online guitar personality of 2020? I don’t find much use for tape emulation with vocals, but that could be a personal taste thing, try it out for yourself before deciding. Alternates every two measures, starting with no processing and ending with processing (8 measures total). I like it. Go much past 60 though, and the flutter sounds more like synth vibrato. Although arguably not as flexible as the J37, that’s an advantage when you just want the “tape sound,” and don’t want to get lost in “is this setting better than that setting...I’m not sure I hear a difference.” I worked a lot with Ampex machines back in the day, and this plugin provides what they delivered. Part of this is because of the different tape formulations—if you can’t find the sound you want, you’re probably not trying hard enough. Tech Talk: Why Tape Emulation Is So Complicated. It combined harmonic distortion, limiting, transient softening, and a low-frequency “bump” that helped lift the bass. Play a steady tone through the Kramer Master Tape and, as expected, the wow is random while the flutter is periodic. This is a great-sounding plug-in that's suited to individual track elements and to output channel settings alike. I find the range between 50 and 60 optimal for representing a reasonably well-maintained machine of that era. I still like the slap delay and I … Both plugins can choose between 7.5 and 15 IPS (inches per second) tape speeds. Warmth, character and flexibility - MPX is a great choice for those seeking a classic sound. Regarding distortion, with all three tape formulations at 15 IPS, distortion is most apparent at the +3 setting. Play a steady tone through the Kramer Master Tape and, as expected, the wow is random while the flutter is periodic. Both the unprocessed and processed sections have the same peak level. The EMI 811 formulation was next; it cut back on the distortion a bit, which opens up more clarity for the high frequencies. Like the original, the effect is subtle. You will receive a verification email shortly. Tape recorder alignment was crucial in finding the “sweet spot” of low distortion, low noise and high-frequency response because you couldn’t optimize all three—there was always a tradeoff. The conventional wisdom is to use 7.5 IPS on lower-frequency instruments, but there’s a reason why people liked that 15 IPS bump—try it on kick. Ultimately though, any of these settings were always a moving target. Who is the best acoustic guitarist of 2020? However, 7.5 IPS can work well with lower-frequency sources, like kick and bass, if you don’t need the bass bump. Bath This means that it's now possible to model Kramer's signature Olympic Studios sound as the separately available Kramer HLS Channel plug-in emulates the sound of the desk used 'before' this tape solution as his setup of the time. This may be due to modeling other factors in addition to bias by itself. However, no law said you couldn’t deviate from “equal and opposite.” For example, if you increased bias for lower distortion, you could choose to increase the pre-emphasis EQ to compensate for the duller sound. (With 24-track tape, track 1 or 24 was often used for SMPTE time code, with the track next to it left blank, or used to record a sound where you could roll off the high frequencies to minimize SMPTE bleed-through.) With highly electronic music, which already pushes out a lot of highs and sometimes exaggerates imaging, I prefer the 815 formulation for its smooth, more controlled sound. One of the Master Tape plugin’s unique features is the monitor/repro switch. You can overload the virtual tape for effect but start with more conservative settings until you get a feel for how the plugins react to level. This additional section is wonderful - fans of dub-based tape delay effects will have a field day as some wonderfully trippy sounds can be created which greatly enhance the sonic possibilities afforded by MPX. With the 811 tape, the nom and +3 dB settings also act as expected, but this time, the +5 dB has some added pre-emphasis to compensate. The echo is great as well. [{"slot":"6","codeName":"NeoWizeRelated29Nov9505", "testType":"0", "variations": "on:95, off:5", "isActive": "True","masterSlotID":"24"},{"slot":"7","codeName":"NeoWizeList5050Feb20", "testType":"0", "variations": "on:50, off:50", "isActive": "True","masterSlotID":"0"},{"slot":"8","codeName":"NeoWizeMiniCartWithProd", "testType":"0", "variations": "on:50, newint:50", "isActive": "True","masterSlotID":"0"},{"slot":"9","codeName":"CartPopupFreePluginBF20", "testType":"0", "variations": "popup:80, none:20", "isActive": "True","masterSlotID":"0"},{"slot":"10","codeName":"NeoWizeCartRecsBF20", "testType":"0", "variations": "on:10, newint:80, none:10", "isActive": "True","masterSlotID":"0"},{"slot":"21","codeName":"NeoWizeHome0694", "testType":"0", "variations": "on:6, waves:94", "isActive": "False","masterSlotID":"0"},{"slot":"22","codeName":"CartFreePluginPopup", "testType":"0", "variations": "delta-checkout:20, delta-order-more:20, fifty-checkout:20, fifty-order-more:20, none:20", "isActive": "False","masterSlotID":"0"},{"slot":"23","codeName":"NeoWizePersonalDeals9505m", "testType":"0", "variations": "on:95, off:5", "isActive": "True","masterSlotID":"24"},{"slot":"24","codeName":"NeoWizeMaster", "testType":"0", "variations": "on:95, off:5", "isActive": "True","masterSlotID":"0"},{"slot":"25","codeName":"HomepageAB", "testType":"0", "variations": "start_mixing:25, demo_to_master:25, mixing_tips:25, leslie_brathwaite:25", "isActive": "True","masterSlotID":"0"},{"slot":"26","codeName":"BFPostFree20", "testType":"0", "variations": "on:95, off:5", "isActive": "True","masterSlotID":"0"},{"slot":"27","codeName":"NeoWiseProductPageFakeReverseReport", "testType":"0", "variations": "on:50, off:50", "isActive": "False","masterSlotID":"0"},{"slot":"28","codeName":"ListPageButtonColorBF20", "testType":"0", "variations": "white:5, blue:95", "isActive": "True","masterSlotID":"0"},{"slot":"29","codeName":"CartStep2DefaultTab", "testType":"0", "variations": "default:50, dynamic:50", "isActive": "False","masterSlotID":"0"},{"slot":"30","codeName":"CartStep2NoPassword", "testType":"1", "variations": "default:50, nopassword:50", "isActive": "False","masterSlotID":"0"},{"slot":"31","codeName":"Cart3PaymentBillingOrder", "testType":"0", "variations": "PaymentTop:50, BillingTop:50", "isActive": "False","masterSlotID":"0"} ], Tape Emulation Plugins Compared: J37 vs. Kramer Master Tape, Get 13 essential tips for mixing with tape plugins here, Waves OVox Vocal ReSynthesis Nominated for SOS Award, How to Get the Nile Rodgers Chic Funk Sound, Mix Panning & Placement Tricks using Delay and EQ. Copyright 2019 by Craig Anderton. Interestingly, at 15 IPS, the sound starts distorting a bit earlier than at 7.5 IPS. Like the J37, there are wow, flutter and noise controls. The way the J37 handles biasing indicates the level of modeling detail. Meanwhile, the flux control emulates how the tape head’s electromagnet imprints a pattern on tape at the tape head’s gap.